Oct 27, 2009

Frustrations

Whenever I see you

There’s a deep silence within me,

The world goes out of focus,

Until you’re all that I can see.


Time will start to move slow

Going to a full stop.

You look at me

And my mind stops.


My knees will freeze

And words will turn to nonsense.

I can’t help but look at you.

Because in you, everything makes sense.


You’re turning every moments

Unforgettable.

You make living

Bearable.


You smile at me

And colours will splash into my world.

But this happiness won’t last,

Simply because you don’t belong in my world.


Time will start to move again

And the colours once more will vanish.

Life will go on,

And I am left alone, lost in my wishes.


You will go back to your world

And I will remain in mine,

A life of black and white, dreaming

Of the day you’ll finally be mine.

Wings

Out in the open field

I stand and gaze at the night sky

Dreaming I have wings and I can fly,

Because then I will bring you to the stars.


Using my dreamer’s wings

To the moon you I will bring.

We will sit on clouds in the purple sky

As the stars sing to us from up high.


They will dance around you

As they sing about you

And we will laugh with our hands held tight.


We will soar above Egypt

Above the silver sand and pyramids.

I will bring you to France

Atop the Eiffel tower we will dance.

We will dance all the way to Chicago

With nothing but clouds beneath us as we go,

We will hope the night will never end.


And when you grow sleepy

In my arms you I’ll carry.

I’ll ask the stars to sing you lullabies

As the moon say her goodbyes.


I’ll whisper you a goodnight,

A sweet dream and a sleep tight.

As I fly you to your bed.


Teardrops slide down my face

As reality hits me on the face

I open my eyes

And see myself standing in the open field.


I pack my dreamer’s wings away

Waiting to use them another day

With you…


I look up at the night sky,

Thinking if you’re dreaming tonight.

I close my eyes and whisper to you,

“Thank you for the night…”

Sep 24, 2009

Afternoon read at the school lobby

He sits on a wooden bench, holding an open book in his hands—one hand for each side. The pages are brown from age. He reads using his eyes.

“The winter air was cold, biting into the skin of the bare arms of the two strangers. Somewhere in the night a wolf howled into the pale moon, the winter wind howled with it. The two strangers gripped their spears tightly, their eyes focused on the darkness, their ears alert, their face expressionless. The wolf continued on howling…”

The summer afternoon is hot, beads of sweat forms on his forehead. A drop slowly rolls down on his cheeks and onto page 32 of his book. The drop made a dark spot on the yellow page. He turns the page and continues to read…

“He could see his own breath. He doesn’t know where Tigerpaw was—everything happened fast, one moment they were looking for trail and then It attacked him from behind—they got separated right after. He continued on running. A deep wound rested on his right shoulder, a wound he got from Its claws. Drops of blood fell on the white winter snow, turning it black under the moonlit sky. He gripped his spear using his good hand. Somewhere in the night Tigerpaw’s screams echoed.”

The buzzing sound grows louder. Students are now flooding the lobby. Lunchtime is over. They sound like flies, pestering him, buzzing around his head. He hears glimpses of words: “He’s so cute!” “Let’s eat there again tomorrow…” “Back to studying again” “Hey…” “I know!” He absentmindedly wipes sweat from his forehead using the back of his left hand. He holds the book once more. He focuses on the letters of the book, trying to mute out the crowd. The letters burn in his eyes. The buzzing grows louder…

“Hawkeyes fixed his gaze on the devil wolf’s eyes—red and merciless. They burn into your soul, they hunger for blood. The devil wolf was as large as Hawkeye, if not, larger. Its paws dug deep into the winter snow. The devil wolf released a snarl. Its yellow teeth held in full display. Drool hung on its blackened lips. Hawkeyes held in his left hand the blade of his spear—the only thing left after its encounter with the devil wolf’s claws. For the first time in his life Hawkeyes felt fear. The devil wolf howled into the huge winter moon. Hawkeyes shouted his battle cry. The devil wolf leapt towards him—its huge claws, sharp and deadly, which Hawkeyes knew dug deep into Tigerpaw’s chest now hunger for Hawkeyes. Hawkeyes gripped the blade tightly and charged forward…”

A hand tapped his shoulder. You have a pen? The hand asks him. He nods. Can I borrow it for a short while? The hand continues to rest on his shoulder. He looks at the bottom part of the page of his book, it says 150. He closes the book and lays it on his lap. He gets the backpack beside him and reaches a hand inside. He tries to feel for a pen—papers, his notebook, and further inside, his pen. He takes it out and hands it to the hand. Thanks, it said. He reaches for his book. He tries to remember the page. 149? 148? No, it was 150. He opens the book to page 150 and scans the page for where he left off.

“Hawkeyes opened his eyes and saw the countless stars burning in the winter sky. He tried to remember what happened. The only thing that remained clear in his mind was that he managed to stab the devil wolf’s side. Hawkeyes tried to move but a sharp pain that rose from his right shoulder hindered him. He tried to touch his injured arm but felt nothing. He tilted his head to the right and saw his right arm, about three feet away from him. Suddenly images came flooding in his mind, starting with the face of Tigerpaw. Hawkeyes remembered.”

The sound of the hundreds of voices droning pervades the air, it pervades his mind. He can no longer concentrate on what he’s reading. Try as he might to tune them out, he always ends up in frustration. He tries to read.

“The looming figure of Tigerpaw towered above Hawkeyes, naked and sweating. Hawkeyes was still surprised to find Tigerpaw alive, surprised that…”

The voices continue to disturb him. The hand is back. It now rests on his shoulder. It’s time for class, it says. You coming? The hand leaves his shoulder and reaches something on the table. It reaches for his pen. Hey, we’re going to be late. The hand continues to pester him. The voices continue to increase in volume. The flies continue to buzz around his ears. He tries to continue reading.

“Hawkeyes tried to stand up with the help of Tigerpaw’s support. Hawkeyes’ wound on his right shoulder was patched with snow, to try to stop the bleeding. Hawkeyes looked pale. Tigerpaw explained to him everything: how he was alive, how he was cursed one winter night, and how the devil wolf and he are one. Tigerpaw stated that he loses control over himself each time he changes into the great beast. The wound that Hawkeyes managed to give the devil wolf helped Tigerpaw achieved control over the beast’s body. Hawkeyes fell to his knees. He had lost a great amount of blood. He stared at Tigerpaw’s face, the face of the devil wolf. Tears were streaming down Tigerpaw’s cheeks. Snowflakes slowly came raining down.”

Somewhere in the hallway the bells of a clock chimes. The hand is back, it keeps on poking him on the shoulder. The bell’s ringing, class is starting, and we are going to be late—the hand keeps on repeating the same statement. He slowly breaks into a cold sweat, he lets go of his book and reaches inside his left jeans pocket for a handkerchief. The handkerchief is black in colour, with bright sunflowers printed on them. He wipes his forehead. The buzzing of the flies is not stopping. The hand uses the pen now for poking him. He just wants to read. He takes a deep breath, and then exhales. He releases a scream. The flies become silent, the hand stops moving. He stands up and snatches the pen from the hand; he grins and stabs the hand using the pen. The hand screams in agony, blood slowly flows from the wound. He smiles. He sits down and reaches for his book; he opens it to page 200. I just want to read, he whispers under his breath.

May 13, 2009

Love at First Sight (Clare Cavanagh)

THEY'RE BOTH CONVINCED
that a sudden passion joined them.
Such certainty is beautiful,
but uncertainty is more beautiful still

Since they'd never met before, they're sure
that there'd been nothing between them.
But what's the word from the streets, staircases, hallways—
perhaps they've passed each other a million times?

I want to ask them
if they don't remember—
a moment face to face
in some revolving door?
perhaps a "sorry" muttered in a crowd?
a curt "wrong number" caught in the receiver?
but I know the answer.
No, they don't remember

They'd be amazed to hear
that Chance has been toying with them
now for years.

Not quite ready yet
to become their Destiny,
it pushed them close, drove them apart,
it barred their path,
stifling a laugh,
and then leaped aside.

There were signs and signals,
even if they couldn't read them yet.
Perhaps three years ago
or just last Tuesday
a certain leaf fluttered
from one shoulder to another?
Something was dropped and then picked up.
Who knows, maybe the ball that vanished
into childhood's thicket?

There were doorknobs and doorbells
where one touch had covered another
beforehand.
Suitcases checked and standing side by side.
One night, perhaps, the same dream,
grown hazy by morning.

Every beginning
is only a sequel, after all,
and the book of events
is always open halfway through.

Love at first sight by Wislawa Szymborska

--I first encountered this poem while watching the Chinese movie "Turn Left, Turn Right". This is the version translated by Walter Whipple...I'll try to upload the other version translated by Clare Cavanagh--


Both are convinced
that a sudden surge of emotion bound them together.
Beautiful is such a certainty,
but uncertainty is more beautiful.

Because they didn't know each other earlier, they suppose that
nothing was happening between them.
What of the streets, stairways and corridors
where they could have passed each other long ago?

I'd like to ask them
whether they remember-- perhaps in a revolving door
ever being face to face?
an "excuse me" in a crowd
or a voice "wrong number" in the receiver.
But I know their answer:
no, they don't remember.

They'd be greatly astonished
to learn that for a long time
chance had been playing with them.

Not yet wholly ready
to transform into fate for them
it approached them, then backed off,
stood in their way
and, suppressing a giggle,
jumped to the side.

There were signs, signals:
but what of it if they were illegible.
Perhaps three years ago,
or last Tuesday
did a certain leaflet fly
from shoulder to shoulder?
There was something lost and picked up.
Who knows but what it was a ball
in the bushes of childhood.

There were doorknobs and bells
on which earlier
touch piled on touch.
Bags beside each other in the luggage room.
Perhaps they had the same dream on a certain night,
suddenly erased after waking.

Every beginning
is but a continuation,
and the book of events
is never more than half open.

-translated by Walter Whipple

Angel

I don't understand love--
They cry over it,
They laugh because of it,
They die for it,
They live for it...
I don't understand love...
I don't understand them.

You created me
And sent me here,
To dwell in the midst of them.
For a hundred years,
Since the day I was born
Out of Your will,
I've observed how they lived--
I saw how they hated
And wanted and needed and smiled,
I saw how frail and weak
They are, but still
You've held them dear and
Considered them above us.
I don't understand them.

I've walked this earth
And have seen everything
There is to see.
But love is something
Out of my grasp.
I looked up at the sunrise
And questioned your knowledge,
Why create such a complicated emotion--
Where people cry and smile
At the same time.
Where they bleed
Not on the outside
But on the inside...
You were silent...

Then You led me to her,
And something inside of me
Started to move--
Like it was being unfolded,
Being revealed.
Like gears of a clock
Moving once more.
I was born without the ability
To feel and yet here I am,
Smiling...
I stood in front of her
And whispered softly in her ear:
"I've waited for a hundred years,
Walking the face of this earth,
Just to say to you that I love you."
Tears started sliding down my cheeks
Towards the smile forming on my lips.
I was hurting and smiling.
Finally I understood...

Loveless

---this was a poem I saw while playing Final Fantasy VII: Crisis Core... this poem was often read by Genesis---

Prologue
When the war of the beasts brings about the world’s end
The goddess descends from the sky
Wings of light and dark spread afar
She guides us to bliss, her gift everlasting.

Act I
Infinite in mystery is the gift of the goddess
We seek it thus, and take it to the sky
Ripples form on the water’s surface
The wandering soul knows no rest.

Act II
There is no hate, only joy
For you are beloved by the goddess
Hero of the dawn, Healer of worlds
Dreams of the morrow hath the shattered soul
Pride is lost
Wings stripped away, the end is nigh.

Act III
My friend, do you fly away now?
To a world that abhors you and I?
All that awaits you is a somber morrow
No matter where the winds may blow
My friend, your desire
Is the bringer of life, the gift of the goddess
Even if the morrow is barren of promises
Nothing shall forestall my return.

Act IV
My friend, the fates are cruel
There are no dreams, no honor remains
The arrow has left the bow of the goddess
My soul, corrupted by vengeance
Hath endured torment, to find the end of the journey
In my own salvation
And your eternal slumber
Legend shall speak
Of sacrifice at world’s end
The wind sails over the water’s surface
Quietly, but surely.

Act V
Even if the morrow is barren of promises
Nothing shall forestall my return
To become the dew that quenches the land
To spare the sands, the seas, the skies
I offer thee this silent sacrifice.

Feb 15, 2009

Piece by piece

I walk down this melancholic street,
down the cold, pavements...
I see them in their tattered clothes,
the beggars on the streets, the present day's ailments.

Hunger burning in their eyes,
poverty evident in their smell.
The cold is their shelter,
life is their own personal hell...

I see them,
I see them everyday...
I ignore them, pass by them,
and I lose a part of me day by day...

I see an old man everytime I go outside,
a broken smile forming on his wrinkled face.
He weakly shakes a rusty, empty cup,
asking for something to put his hunger to ease.

His hair shines silver with old age,
his eyes reflect pain, and dismay.
his smile nothing but an empty facade.
I pass by him, and lose a part of me away...

*i was suppose to post this last christmas but sadly i wasn't able to.... 

Feb 14, 2009

The Art of Drowning by Billy Collins

I wonder how it all got started, this business
about seeing your life flash before your eyes
while you drown, as if panic, or the act of submergence,
could startle time into such compression, crushing
decades in the vice of your desperate, final seconds.

After falling off a steamship or being swept away
in a rush of floodwaters, wouldn't you hope
for a more leisurely review, an invisible hand
turning the pages of an album of photographs-
you up on a pony or blowing out candles in a conic hat.

How about a short animated film, a slide presentation?
Your life expressed in an essay, or in one model photograph?
Wouldn't any form be better than this sudden flash?
Your whole existence going off in your face
in an eyebrow-singeing explosion of biography-
nothing like the three large volumes you envisioned.

Survivors would have us believe in a brilliance
here, some bolt of truth forking across the water,
an ultimate Light before all the lights go out,
dawning on you with all its megalithic tonnage.
But if something does flash before your eyes
as you go under, it will probably be a fish,

a quick blur of curved silver darting away,
having nothing to do with your life or your death.
The tide will take you, or the lake will accept it all
as you sink toward the weedy disarray of the bottom,
leaving behind what you have already forgotten,
the surface, now overrun with the high travel of clouds.

On Turning Ten by Billy Collins

The whole idea of it makes me feel
like I'm coming down with something,
something worse than any stomach ache
or the headaches I get from reading in bad light--
a kind of measles of the spirit,
a mumps of the psyche,
a disfiguring chicken pox of the soul.

You tell me it is too early to be looking back,
but that is because you have forgotten
the perfect simplicity of being one
and the beautiful complexity introduced by two.
But I can lie on my bed and remember every digit.
At four I was an Arabian wizard.
I could make myself invisible
by drinking a glass of milk a certain way.
At seven I was a soldier, at nine a prince.

But now I am mostly at the window
watching the late afternoon light.
Back then it never fell so solemnly
against the side of my tree house,
and my bicycle never leaned against the garage
as it does today,
all the dark blue speed drained out of it.

This is the beginning of sadness, I say to myself,
as I walk through the universe in my sneakers.
It is time to say good-bye to my imaginary friends,
time to turn the first big number.

It seems only yesterday I used to believe
there was nothing under my skin but light.
If you cut me I could shine.
But now when I fall upon the sidewalks of life,
I skin my knees. I bleed.

Nightclub by Billy Collins

You are so beautiful and I am a fool
to be in love with you
is a theme that keeps coming up
in songs and poems.
There seems to be no room for variation.
I have never heard anyone sing
I am so beautiful
and you are a fool to be in love with me,
even though this notion has surely
crossed the minds of women and men alike.
You are so beautiful, too bad you are a fool
is another one you don't hear.
Or, you are a fool to consider me beautiful.
That one you will never hear, guaranteed.

For no particular reason this afternoon
I am listening to Johnny Hartman
whose dark voice can curl around
the concepts on love, beauty, and foolishness
like no one else's can.
It feels like smoke curling up from a cigarette
someone left burning on a baby grand piano
around three o'clock in the morning;
smoke that billows up into the bright lights
while out there in the darkness
some of the beautiful fools have gathered
around little tables to listen,
some with their eyes closed,
others leaning forward into the music
as if it were holding them up,
or twirling the loose ice in a glass,
slipping by degrees into a rhythmic dream.

Yes, there is all this foolish beauty,
borne beyond midnight,
that has no desire to go home,
especially now when everyone in the room
is watching the large man with the tenor sax
that hangs from his neck like a golden fish.
He moves forward to the edge of the stage
and hands the instrument down to me
and nods that I should play.
So I put the mouthpiece to my lips
and blow into it with all my living breath.
We are all so foolish,
my long bebop solo begins by saying,
so damn foolish
we have become beautiful without even knowing it.

I Chop Some Parsley While Listening To Art Blakey's Version Of "Three Blind Mice" by Billy Collins

And I start wondering how they came to be blind.
If it was congenital, they could be brothers and sister,
and I think of the poor mother
brooding over her sightless young triplets.

Or was it a common accident, all three caught
in a searing explosion, a firework perhaps?
If not,
if each came to his or her blindness separately,

how did they ever manage to find one another?
Would it not be difficult for a blind mouse
to locate even one fellow mouse with vision
let alone two other blind ones?

And how, in their tiny darkness,
could they possibly have run after a farmer's wife
or anyone else's wife for that matter?
Not to mention why.

Just so she could cut off their tails
with a carving knife, is the cynic's answer,
but the thought of them without eyes
and now without tails to trail through the moist grass

or slip around the corner of a baseboard
has the cynic who always lounges within me
up off his couch and at the window
trying to hide the rising softness that he feels.

By now I am on to dicing an onion
which might account for the wet stinging
in my own eyes, though Freddie Hubbard's
mournful trumpet on "Blue Moon,"

which happens to be the next cut,
cannot be said to be making matters any better.

Flames by Billy Collins

Smokey the Bear heads
into the autumn woods
with a red can of gasoline
and a box of wooden matches.

His ranger's hat is cocked
at a disturbing angle.

His brown fur gleams
under the high sun
as his paws, the size
of catcher's mitts,
crackle into the distance.

He is sick of dispensing
warnings to the careless,
the half-wit camper,
the dumbbell hiker.

He is going to show them
how a professional does it.

Embrace by Billy Collins

You know the parlor trick.
wrap your arms around your own body
and from the back it looks like
someone is embracing you
her hands grasping your shirt
her fingernails teasing your neck
from the front it is another story
you never looked so alone
your crossed elbows and screwy grin
you could be waiting for a tailor
to fit you with a straight jacket
one that would hold you really tight. 

Richard Cory by Edwin Arlington Robinson

Whenever Richard Cory went down town,

We people on the pavement looked at him:

He was a gentleman from sole to crown,

Clean-favoured and imperially slim.

 

And he was always quietly arrayed,

And he was always human when he talked;

But still he fluttered pulses when he said,

"Good Morning!" and he glittered when he walked.

 

And he was rich, yes, richer than a king,

And admirably schooled in every grace:

In fine -- we thought that he was everything

To make us wish that we were in his place.

 

So on we worked and waited for the light,

And went without the meat and cursed the bread,

And Richard Cory, one calm summer night,

Went home and put a bullet in his head.